Ronny Cush is listed on imdb, he  has worked in the entertainment industry for over twenty-five years. He started in the nineteen eighties in theatre, doing classic plays from Aristophanes The Birds in which he played the lead,  to Shakespeare’s Measure For Measure, which included an international tour.  His professional acting debut was in Tom Stoppard’s Night And Day.

Ronny  also won critical acclaim for his work in other  plays during the eighties, including playing the lead in The Maltese Falcon, and was the critic's choice for his work in 11 Josephine House. He then went on to work in  television,  playing a cop in the long running series The Bill, doing eight episodes. Other television appearances came in Tales Of The Unexpected, Minder, By The Sword Divided, No Place Like Home, The Front Line, playing third lead in that series for one season,  and Dempsey & Makepeace.

He appeared in the movie Britannia Hospital, he was an x-wing pilot in the blockbuster movie Return Of The Jedi, his scene directed by George Lucas himself.  See photo.  During the nineteen nineties Ronny took a break from acting and focused on photography, doing fashion spreads for numerous magazines,  he also did advertising work for many companies. As the twenty first century approached, Ronny found himself once again fully immersed in the entertainment business, only this time with his knowledge of theatre and photography he is uniquely qualified as a filmmaker, and in the year two thousand and eight he created Magstar Films.  

Code of Ethics for Actors

1. I shall never miss a performance.
2. I shall play every performance with energy, enthusiasm and to the best of my ability regardless of size of audience, personal illness, bad weather, accident, or even death in my family.
3. I shall forego all social activities which interfere with rehearsals or any other scheduled work at the theatre, and I shall always be on time.
4. I shall never make a curtain late by my failure to be ready on time.
5. I shall never miss an entrance.

6. I shall never leave the theatre building or the stage area until I have completed my performance, unless I am specifically excused by the stage manager; curtain calls are a part of the show.
7. I shall not let the comments of friends, relatives or critics change any phase of my work without proper consultation; I shall not change lines, business, lights, properties, settings or costumes or any phase of the production without consultation with and permission of my director or producer or their agents, and I shall inform all people concerned.
8. I shall forego the gratification of my ego for the demands of the play.
9. I shall remember my business is to create illusion; therefore, I shall not break the illusion by appearing in costume and makeup off-stage or outside the theatre.
10. I shall accept my director’s and producer’s advice and counsel in the spirit in which it is given, for they can see the production as a whole and my work from the front.

11. I shall never “put on an act” while viewing other artists’ work as a member of an audience, nor shall I make caustic criticism from jealousy or for the sake of being smart.
12. I shall respect the play and the playwright and, remembering that “a work of art is not a work of art until it is finished,” I shall not condemn a play while it is in rehearsal.
13. I shall not spread rumor or gossip which is malicious and tends to reflect discredit on my show, the theatre, or any personnel connected with them-either to people inside or outside the group.
14. Since I respect the theatre in which I work, I shall do my best to keep it looking clean, orderly and attractive regardless of whether I am specifically assigned to such work or not.

15. I shall handle stage properties and costumes with care for I know they are part of the tools of my trade and are a vital part of the physical production.
16. I shall follow rules of courtesy, deportment and common decency applicable in all walks of life (and especially in a business in close contact with the public) when I am in the theatre, and I shall observe the rules and regulations of any specific theatre where I work.
17. I shall never lose my enthusiasm for theatre because of disappointments.